Process & Intention: Interview with Kali Spitzer

"Indigenous Femme Queer Photographer Kali Spitzer ignites the spirit of our current unbound human experience with all the complex histories we exist in, passed down through the trauma inflicted/received by our ancestors. Kali's photographs are intimate and unapologetic and make room for growth and forgiveness while creating a space where we may share the vulnerable and broken parts of our stories which are often overlooked, or not easy to digest for ourselves or society."

—Except from catalog introduction for Kali Spitzer’s exhibition, "An Exploration of Resilience and Resistance”, written by Ginger Dunnill, Creator and Producer of Broken Boxes Podcast, published by Grunt Gallery, Vancouver, BC, 2019.

Kali Spitzer. Photo by Byron Flesher

Kali Spitzer. Photo by Byron Flesher

Kali Spitzer is a photographer living on the Traditional Unceded Lands of the Tsleil-Waututh, Skxwú7mesh and Musqueam peoples. The work of Kali embraces the stories of contemporary BIPOC, Queer and trans bodies, creating representation that is self determined. Kali’s collaborative process is informed by the desire to rewrite the visual histories of indigenous bodies beyond a colonial lens. Kali is Kaska Dena from Daylu (Lower Post, british columbia) on her father’s. Kali’s father is a survivor of residential schools and canadian genocide. On her Mother’s side and Jewish from Transylvania, Romania on her mother’s side. 

Kali studied photography at the Institute of American Indian Arts, and the Santa Fe Community College. Under the mentorship of Will Wilson, Kali explored alternative processes of photography. She has worked with film in 35 mm, 120 and large format, as well as wet plate collodion process using an 8x10 camera. Her work includes portraits, figure studies and photographs of her people, ceremonies, and culture. At the age of 20, Kali moved back north to spend time with her Elders, and to learn how to hunt, fish, trap, tan moose and caribou hides, and bead. Throughout Kali’s career she has documented traditional practices with a sense of urgency, highlighting their vital cultural significance.

Kali’s work has been featured in exhibitions at galleries and museums internationally including, the National Geographic’s Women: a Century of Change at the National Geographic Museum (2020), and Larger than Memory: Contemporary Art From Indigenous North America at the Heard Museum (2020). In 2017 Kali received a Reveal Indigenous Art Award from Hnatyshyn Foundation.

Kali would like to extend her gratitude to all who have collaborated with her, she recognizes the trust and vulnerability required to be photographed in such intimate ways.

Website

This episode first aired June 07, 2021 for Broken Boxes on Radio Coyote, a project initiated by Raven Chacon and CCA Wattis Institute, on the occasion of Chacon's 2020-21 Capp Street Artist-in-Residency. Radio Coyote is currently produced by Atomic Culture and will transition to new programming Summer, 2021. www.radiocoyote.org

This episode is now streaming on iTunes & Spotify

This conversation was hosted by Ginger Dunnill of Broken Boxes Podcast

Vintage_28-07-2021_09h01m37s.jpg

We Left Them Nothing: Interview with Demian Dinéyazhi'

In this episode artist Demian DinéYazhi´ speaks with Broken Boxes about their practice, navigating the contemporary art world and online spaces and they read excerpts from their poetry works including An Infected Sunset and unreleased materials from their forthcoming publication We Left Them Nothing.

Demian DinéYazhi´ (born 1983) is a Portland-based Diné transdisciplinary artist, poet, and curator born to the clans Naasht’ézhí Tábąąhá (Zuni Clan Water’s Edge) & Tódích’íí’nii (Bitter Water). Their practice is a regurgitation of purported Decolonial praxis informed by the over accumulation and exploitative supremacist nature of hetero-cis-gendered communities post colonization. They are a survivor of attempted european genocide, forced assimilation, manipulation, sexual and gender violence, capitalist sabotage, and hypermarginalization in a colonized country that refuses to center their politics and philosophies around the Indigenous Peoples whose Land they occupy and refuse to give back. They live and work in a post-post-apocalyptic world unafraid to fail. 

Follow their work on IG:

@heterogeneoushomosexual

@riseindigenous

Song featured: Nice Guy by WEEDRAT


This episode first aired June 21, 2021 for Broken Boxes on Radio Coyote, a project initiated by Raven Chacon and CCA Wattis Institute, on the occasion of Chacon's 2020-21 Capp Street Artist-in-Residency. Radio Coyote is currently produced by Atomic Culture and will transition to new programming on July 16, 2021. www.radiocoyote.org

This episode is now streaming on iTunes & Spotify

This conversation was hosted by Ginger Dunnill of Broken Boxes Podcast

Vintage_25-07-2021_12h18m49s.jpg

The Beatbox Queen Ashley Saywut?! Moyer: On Becoming A Dominant Female Act

Ashley Moyer aka Saywut?! is originally from Albuquerque, New Mexico. Widely known for her unique talent of Beatboxing (producing sounds and beats through her mouth), Ashley is an award winning female beatboxer. 

Photo credit: Morningstar Angeline 2021

Photo credit: Morningstar Angeline 2021

She has been a fixture in the hip hop scene from coast to coast performing for Federal and state educational, environmental, and humanitarian aid workshops through the use of non-traditional, alternative music outlets.

Ashley’s performances and workshops are directed towards community awareness and development through education and acceptance of alternative music outlets. Her social and cultural workshops include Sequoia Adolescent Treatment Center, Albuquerque Public Schools, Santa Fe Public Schools, The Girls Ranch, Santa Fe Indian School, the YDDC (ABQ Youth Detention Center), and New Mexico Youth Organized.

She toured Europe in 2011 with CocoRosie as their beatboxer and was a guest of La MaMa Theater in Manhattan, NY during their annual North American Human Beatbox Festival both years of 2010 & 2011.

More recently she was featured in Tom Tom Magazines Museum takeover of MoMa PS1 in Queens, NY and the Brooklyn Museum for The Verbal History Of Female Drummers.

Ashley also taught incarcerated teen girls in 2013 how to produce, write and record their own music which was released through the non-profit New Mexico Jazz Workshop.

She currently performs and lives in Albuquerque, New Mexico and recently started her own skincare business, Beatbox Beauty Company

This episode first aired June 07, 2021 for Broken Boxes on Radio Coyote, a project initiated by Raven Chacon and CCA Wattis Institute, on the occasion of Chacon's 2020-21 Capp Street Artist-in-Residency. Radio Coyote is currently produced by Atomic Culture and will transition to new programming on July 16, 2021. www.radiocoyote.org

This episode is now streaming on iTunes & Spotify

This conversation was hosted by Ginger Dunnill of Broken Boxes Podcast

Vintage_23-07-2021_09h29m52s.jpg

Indigenous Women In Film: Interview with Tia Taurere-Clearsky

Tia Taurere-Clearsky of Whaea Productions is Indigenous from the Ngāpuhi/Te Aupōuri Nations of Aotearoa (New Zealand), lives on Coast Salish Territory of Turtle Island (North America/Canada) and was born in the Koolin Nations (Melbourne Australia).

Tia immigrated to Coast Salish Territory Turtle Island to be with her husband Curtis Clearsky, who is of First Nations Blackfoot/Anishinaabe Nations.

IMG_4766 2.jpg

One of her passions is striving to create International Solidarity by building synergies between Indigenous, Activists and Creative communities. She believes in working towards Tino Rangatiratanga, Self Determination for all peoples, through Creative Resistance, Creative Communications. She has skills in multimedia production, critical analysis of the world we live in today and a deep respect for our Earth Mother Papatūānuku .

Tia’s production company Whaea Productions is named after the Māori word Whāea is pronounced like “Fire”, our ‘wh’ is an ‘f’ in english. Whāea is a mother, an aunty, a teacher, an older woman who is nurturing, caring, a knowledge keeper and a leader in the community.

https://www.whaeaproductions.com

Music featured on this episode is by Tia’s husband Curtis Clearsky and the Constellationz:

Indigifunk
Broken Treaties

This episode first aired May 24, 2021 for Broken Boxes on Radio Coyote, a project initiated by Raven Chacon and CCA Wattis Institute, on the occasion of Chacon's 2020-21 Capp Street Artist-in-Residency. Radio Coyote is currently produced by Atomic Culture and will transition to new programming on July 16, 2021. www.radiocoyote.org

Vintage_21-07-2021_10h21m17s.jpg

This episode is now streaming on iTunes & Spotify

This conversation was hosted by Ginger Dunnill of Broken Boxes Podcast

Trans Solidarity, Interview with Shelby Chestnut, music by Shea Diamond

6255BC67-65D7-494D-B201-2358F320360F.jpeg

Shelby Chestnut is the Director of Policy and Programs at the Transgender Law Center (TLC), the countries largest trans led organization. Shelby’s work focuses on supporting the leadership of transgender people of color around the US, to ensure they are alive and thriving. Prior to TLC, Shelby served as the Director of Community Organizing and Public Advocacy at the New York City Anti-Violence Project for 6 years. Shelby holds a BA from Antioch College and an MS in Public Policy from the New School. Shelby has dedicated their career to organizing and mobilizing LGBTQ people, people of color and low income communities to ensure policies are informed by the people directly impacted by economic inequality and violence. https://transgenderlawcenter.org

B106BA7F-6FF9-4C87-87A0-89E91008EA34_1_201_a.jpeg

Music featured by Shea Diamond:

I am Her
American Pie
I Am American
Don’t Shoot

Interview excerpts from the conversation: Shea Diamond: On Being Trans 'My Existence Was A Rebellion'

Shea Diamond is a singer and songwriter who makes soul-rooted music of resistance and liberation. Based in New York City, she was born in Little Rock, Arkansas and spent portions of her upbringing in Memphis, Tennessee and Flint, Michigan. Repressed and marginalized throughout her childhood for not accepting her gender role, she ran away at the age of 14 and entered foster care. Upon her emancipation, she lacked the means to pay for gender reassignment surgery, committed armed robbery, and spent roughly a decade in prison. While incarcerated, she developed her powerful singing style and forthright approach to songwriting. Shea was released from prison in 2009 and relocated to New York. She continued to work on music and became deeply involved in the transgender rights movement. It was Shea's a cappella performance of “I Am Her”, which we heard the version of to open this broadcast, at a Black Trans Lives Matter event that caught the attention of Justin Tranter, a songwriter who has worked with artists such as Selena Gomez, Justin Bieber, and Gwen Stefani. With Tranter as her producer, Diamond is focused on lending her voice to those who have none.

This episode first aired May 17, 2021 for Broken Boxes on Radio Coyote, a project initiated by Raven Chacon and CCA Wattis Institute, on the occasion of Chacon's 2020-21 Capp Street Artist-in-Residency. Radio Coyote is currently produced by Atomic Culture and will transition to new programming Summer 2021. www.radiocoyote.org

This episode is now streaming on iTunes & Spotify

This conversation was hosted by Ginger Dunnill of Broken Boxes Podcast