Conversation with Artists and Land Defenders Christi Belcourt and Isaac Murdoch

Broken Boxes Podcast is proud to present this episode featuring Christi Belcourt and Isaac Murdoch as the 9th installation in a series of interviews featuring participants and their respondents from the socially engaged project #callresponse.  

For the #callresponse project Christi Belcourt works with traditional teacher and collaborator Isaac Murdoch to hold ceremony with plants and animals as her community with The Onaman Collective. Just as the natural world is depicted symbolically as medicine in her work through the act of painting she aims to take action in an effort to restore balance as a human being amongst many living beings. Her project stems from the believe that we as people are not ready for reconciliation. She does not consider the first step towards reconciliation as starting between native and non-­natives but rather as something that needs to take place between humans and the plants and animals. Pronounced ah­nah­min, The Onaman Collective was formed in 2014 by Isaac Murdoch, Christi Belcourt and Erin Konsmo out of their deep care for youth and the future of community. The collective was formed for the express purpose of finding ways to connect youth to land, traditional knowledge, language and Elders through art and land­based activities. 

"All I want to do is give everything I have, my energy, my love, my labour – all of it in gratitude for what we are given. I’ll never be able to give back enough. My love for this world overwhelms me. My love for this world, and my love for everyone and everything is what drives me." -Christi Belcourt

Here is the conversation with Christi Belcourt & Isaac Murdoch:

Subscribe to Broken Boxes Podcast on iTunes HERE to stream and download this episode

Music featured in this episode by Ziibiwan

"We need a Revolution. We need something different. We need a new beginning. And we need it right now. We can’t wait...I believe thousands of years from now they are going to look back at this time in history that the two leggeds tried to destroy the earth. They’re gonna be telling the sacred story that we are in now. I believe that we are in a legend, a sacred story that will be told thousands of years from now. And knowing that, I believe that right now is the opportunity to create the next part of the story. And we have options. We could be extras in this story, that just sit on the fence and do nothing. Or we could be evil villains. Or we can be heroes. And I believe right now is the opportunity for indigenous peoples and all races to come together to save this planet.” -Isaac Murdoch


Buffalo Robe with water beings. Christi Belcourt and Isaac Murdoch for #callresponse 2016

Buffalo Robe with water beings. Christi Belcourt and Isaac Murdoch for #callresponse 2016

More about the artists:

Christi Belcourt (b. 1966) is a Michif (Metis) visual artist and author whose ancestry originates from the Metis historic community of Manitou Sakhigan (Lac Ste. Anne) Alberta, Canada. Raised in Ontario, Christi is the first of three children born to political Indigenous rights leader Tony Belcourt and Judith Pierce Martin. Her brother Shane Belcourt is a respected filmmaker and her sister Suzanne is a graphic designer and emerging visual artist. Christi Belcourt is the author of Medicines To Help Us (Gabriel Dumont Institute, 2007) and Beadwork (Ningwakwe Learning Press, 2010), Christi’s work is found within the permanent collections of the National Gallery of Canada, the Art Gallery of Ontario, Gabriel Dumont Institute, the Indian and Inuit Art Collection, Parliament Hill, the Thunder Bay Art Gallery and Canadian Museum of Civilization, First People’s Hall. Christi is a past recipient of awards from the Canada Council for the Arts, the Ontario Arts Council, the Chalmers Family Fund and the Métis Nation of Ontario. In 2014 she was named Aboriginal Arts Laureate by the Ontario Arts Council and shortlisted for the Premier’s Award. She is currently the lead coordinator for lking With Our Sisters. 

Visit Christi Belcourt's Website


 Isaac Murdoch , whose Ojibway name is Manzinapkinegego’anaabe / Bombgiizhik is from the fish clan and is from Serpent River First Nation. Isaac grew up in the traditional setting of hunting, fishing and trapping. Many of these years were spent learning from Elders in the northern regions of Alberta, Saskatchewan and Manitoba. Isaac is well respected as a storyteller and traditional knowledge holder. For many years he has led various workshops and cultural camps that focuses on the transfer of knowledge to youth. Other areas of expertise include: traditional ojibway paint, imagery/symbolism, harvesting, medicine walks, & ceremonial knowledge, cultural camps, Anishinaabeg oral history, birch bark canoe making, birch bark scrolls, Youth & Elders workshops, etc. He has committed his life to the preservation of Anishinaabe cultural practices and has spent years learning directly from Elders.


#callresponse project details:

 

Strategically centering Indigenous women as vital presences across multiple platforms, #callresponse is a multifaceted project which includes a website, social media platform, touring exhibition and catalogue. The project brings together five local art commissions by Indigenous women artists from across Canada, including Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory. Each artist has invited a guest to respond to their work, including Isaac Murdoch, IV Castellanos and Esther Neff, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

#callresponse is co-organized by Tarah Hogue, Maria Hupfield and Tania Willard, and produced in partnership with grunt gallery and generously supported by the {Re}conciliation initiative of the Canada Council for the Arts, the J.W. McConnell Family Foundation and The Circle on Philanthropy and Aboriginal Peoples in Canada. Additional presentation partners include BUSH Gallery, Emily Carr University of Art + Design, FADO Performance Art Centre, Kamloops Art Gallery, OFFTA live art festival, the National Arts Centre, and the Native Education College.

Conversation with Writer Marcia Crosby

**It is recommended to listen to this episode in direct relationship with Episode 50 featuring Tania Willard.**

Broken Boxes Podcast is proud to present this episode featuring Marcia Crosby, Tsimshian-Haida writer, art historian, and educator from British Columbia and respondent for Tania Willard. This is the 8th installation in a series of interviews featuring participants and their respondents from the socially engaged project #callresponse

Here is the conversation with Marcia Crosby:

Subscribe to Broken Boxes Podcast on iTunes HERE to stream and download this episode

Music featured in this episode by Laura Ortman

More about the artist:

Marcia Crosby is Tsimshian-Haida writer, art historian, and educator from British Columbia. 

Marcia Crosby is Tsimshian-Haida writer, art historian, and educator from British Columbia. 

“I can hardly speak your words because I think you might not forgive me for telling the story you wanted kept a secret. Yes, some of our leaders, some of our old people and others on our communities want us to be quiet about life on our social and geographical reserves. They want us to be silent and if we are not we are not family. But your silence deadened me gram. This is about love and anger. This is about sadness and joy. About strength and total collapse of the spirit." -Marcia Crosby

This quotation included in “The Implication of Restorative Justice for Aboriginal Women” is reinforcement for how dedicated Crosby is in making works that offers a spirit, honor and resistance. (sourced from wikipedia)

#callresponse project details:

Strategically centering Indigenous women as vital presences across multiple platforms, #callresponse is a multifaceted project which includes a website, social media platform, touring exhibition and catalogue. The project brings together five local art commissions by Indigenous women artists from across Canada, including Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory. Each artist has invited a guest to respond to their work, including Isaac Murdoch, IV Castellanos and Esther Neff, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

#callresponse is co-organized by Tarah Hogue, Maria Hupfield and Tania Willard, and produced in partnership with grunt gallery and generously supported by the {Re}conciliation initiative of the Canada Council for the Arts, the J.W. McConnell Family Foundation and The Circle on Philanthropy and Aboriginal Peoples in Canada. Additional presentation partners include BUSH Gallery, Emily Carr University of Art + Design, FADO Performance Art Centre, Kamloops Art Gallery, OFFTA live art festival, the National Arts Centre, and the Native Education College.

Conversation with Artist Tania Willard

Broken Boxes Podcast is proud to present this episode as the seventh installation in a series of interviews featuring artists and their respondents from the socially engaged project #callresponse

In this episode artist and curator Tania Willard speaks about her curatorial practice and breaks down the themes and materials she is focusing on in her current artistic work. She reflects on living and working on her Reserve and how she navigates being a mother and a practicing artist simultaneously. Tania also tells us about her involvement in #callresponse, providing insight into the body of work she is creating for the project and introduces us to the work and ideas of her respondent, Marcia Crosby

Only Available Light, (series) birch bark, cedar root and copper foil, laser cut text, 2016. Tania Willard

Only Available Light, (series) birch bark, cedar root and copper foil, laser cut text, 2016. Tania Willard

"Interconnectedness is the root system of my work as an artist. Land based art, community engaged practice, printmaking, painting are the mediums I most often work in, these ways of working are tied to me, I am tied to my ancestors, we are tied to the land." -Tania Willard

Here is the conversation with Tania Willard:

Subscribe to Broken Boxes Podcast on iTunes HERE to stream and download this episode

Music featured on this episode by Beatrice Deer, YAMANTAKA, Dead Prez

More about the Artist:

Tania Willard. Image credit: Kyla Bailey

Tania Willard. Image credit: Kyla Bailey

Tania Willard, Secwepemc Nation, works within the shifting ideas of contemporary and traditional as it relates to cultural arts and production .Often working with bodies of knowledge and skills that are conceptually linked to her interest in intersections between Aboriginal and other cultures. Willard has worked as a curator in residence with grunt gallery and Kamloops Art Gallery. Willard’ curatorial work includes Beat Nation: Art Hip Hop and Aboriginal Culture, a national touring exhibition first presented at Vancouver Art Gallery in 2011. Recently Willard curated CUSTOM MADE at Kamloops Art Gallery and was selected as one of 5 National curators for a National scope exhibition in collaboration with Partners in Art and National Parks. Her upcoming project co-curated by Karen Duffek will be a solo show, Unceded Territories: Lawrence Paul Yuxweluptun at the Museum of Anthropology. Willard’s personal curatorial projects include BUSH gallery, a conceptual space for land based art and action led by Indigenous artists.

Only Available Light,(still) selenite, digital video, 2016. Tania Willard

Only Available Light,(still) selenite, digital video, 2016. Tania Willard

#callresponse project details:

 

Strategically centering Indigenous women as vital presences across multiple platforms, #callresponse is a multifaceted project which includes a website, social media platform, touring exhibition and catalogue. The project brings together five local art commissions by Indigenous women artists from across Canada, including Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory. Each artist has invited a guest to respond to their work, including Isaac Murdoch, IV Castellanos and Esther Neff, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

#callresponse is co-organized by Tarah Hogue, Maria Hupfield and Tania Willard, and produced in partnership with grunt gallery and generously supported by the {Re}conciliation initiative of the Canada Council for the Arts, the J.W. McConnell Family Foundation and The Circle on Philanthropy and Aboriginal Peoples in Canada. Additional presentation partners include BUSH Gallery, Emily Carr University of Art + Design, FADO Performance Art Centre, Kamloops Art Gallery, OFFTA live art festival, the National Arts Centre, and the Native Education College.

Conversation with Performance Artists Esther Neff & IV Castellanos

Broken Boxes Podcast is proud to present this episode featuring Esther Neff & IV Castellanos, respondent Artists for Maria Hupfield, as the sixth installation in a series of interviews featuring participants and their respondents from the socially engaged project #callresponse

Photo Credit: Laura Bluer

Photo Credit: Laura Bluer

In this episode Brooklyn based performance artists Esther Neff and IV Castellanos share insight on collective organizing and their involvement in various performance hives including Panoply Performance Laboratory (PPL) which was founded and is co-directed by Esther Neff. We also hear about how location, collaboration, process and materials influence various actions and shape their practices. They break down ideas surrounding terms such as 'NO-WAVE' and ‘Feminist' as related to their work, and we learn a bit more about their relationship to Maria Hupfield, whom they are respondent artists to in the #callresponse project. 

Here is the conversation with Esther Neff & IV Castellanos:

Esther Neff is the founder and co-director of Panoply Performance Laboratory (PPL), a collective making operas-of-operations and a laboratory site for performance projects. She is a collaborative and solo performance artist and independent theorist and a member of Feminist Art Group, Social Health Performance Club and Organizers Against Imperialist Culture. Her current work and research is a series of operations entitled Embarrassed of the Whole. 

www.panoplylab.org/estherneff

http://estherneff.tumblr.com/

http://www.thefenserf.tumblr.com/


IV Castellanos:

Photo Credit: Laura Bluer

Photo Credit: Laura Bluer

"Abstract performance art has been the vein for my physical memory to thrive. Simply, I create objects and destroy them. In creating this gesture I am able to articulate ideas that I shifted and bottle necked down one resonating path. All of the information is channeled but visually clear, concise and often under 15 minutes. The interest is in transforming energy and the route has been moulded over the course of performing by trimming the fat and getting the job done. Labor is a source for my work, the physical body moving through day to day direction and carrying an othered body under constant critique and observation. There is power in focused action. Timing allows the intensity to maintain saturation for the viewer to barely digest in the moment." - IV Castellanos

ivcastellanos.com

Photo Credit: Laura Bluer

Photo Credit: Laura Bluer


#callresponse project details:

 

Strategically centering Indigenous women as vital presences across multiple platforms, #callresponse is a multifaceted project which includes a website, social media platform, touring exhibition and catalogue. The project brings together five local art commissions by Indigenous women artists from across Canada, including Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory. Each artist has invited a guest to respond to their work, including Isaac Murdoch, IV Castellanos and Esther Neff, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

#callresponse is co-organized by Tarah Hogue, Maria Hupfield and Tania Willard, and produced in partnership with grunt gallery and generously supported by the {Re}conciliation initiative of the Canada Council for the Arts, the J.W. McConnell Family Foundation and The Circle on Philanthropy and Aboriginal Peoples in Canada. Additional presentation partners include BUSH Gallery, Emily Carr University of Art + Design, FADO Performance Art Centre, Kamloops Art Gallery, OFFTA live art festival, the National Arts Centre, and the Native Education College.

Conversation with Artist Maria Hupfield

Broken Boxes Podcast is proud to present this episode as the fifth installation in a series of interviews featuring artists and their respondents from the socially engaged project #callresponse.  

In this episode, Maria Hupfield speaks about her experiences living as an artist in New York, the influence her upbringing has had on her lifestyle, and shares reflections on where she finds inspiration to fuel her creative process. Maria speaks about her recent project It Is Never Just About Sustenance or Pleasure as part of SITElines, which is the second installment in SITE Santa Fe’s biennial series, opening July 16, 2016. Maria also reflects on the #callresponse project and shares more about her role as a participating artist and as one of the three initial project organizers.

Maria Hupfield. It Is Never Just About Sustenance or Pleasure, video installation video still 2016 Photo: Julie Nymann

Maria Hupfield. It Is Never Just About Sustenance or Pleasure, video installation video still 2016 Photo: Julie Nymann

"In live performance I insert myself into new conversations, activate space, and locate the body in relationship to self, collaborators, objects and place. My hand-sewn creations function as tools; jingles track body rhythms and modified industrial felt items are both shield and screen. These sculptures are carried on the body, recall everyday contemporary life and reflect upon sight, and sound, using the unexpected to shift meaning." - Maria Hupfield

Here is the conversation with Maria Hupfield:

Subscribe to Broken Boxes Podcast on iTunes HERE to stream and download this episode

Music featured in this episode by Rosary Spense and ANOHNI

More about the artist:

Maria Hupfield  is a member of Wasauksing First Nation, Ontario, currently based in Brooklyn NY. A featured international artist with SITE Santa Fe 2016, she received national recognition in the USA from the prestigious Joan Mitchell Foundation for her hand-sewn industrial felt sculptures. Hupfield was awarded a long term Canada Council for The Arts Grant to make work in New York with her nine-foot birchbark canoe made of industrial felt assembled and performed in Venice, Italy for the premiere of Jiimaan, coinciding with the Venice Biennale 2015. Recent projects include free play Trestle Gallery Brooklyn with Jason Lujan, and Chez BKLYN an exhibition highlighting the fluidity of individual and group dynamics of collective art practices; conceived by artists in Brooklyn and relayed at Galerie SE Konst, Sweden. She was a guest speaker for the Distinguished Visiting Artist Program, University of British Columbia, Indigenous Feminist Activism & Performance event at Yale, Native American Cultural Center and Women's Gender and Sexuality Studies, and the Indigenous Rights/Indigenous Oppression, Symposium with Tanya Tagaq at the School of Public Policy, University of Maryland, MD. Like her mother and settler accomplice father before her Hupfield is an advocate of native community arts and activism. The founder of 7th Generation Image Makers, Native Child and Family Services of Toronto, a native youth arts and mural outreach program in downtown Toronto she is Co-owner of the blog Native Art Department International. Hupfield is represented by Galerie Hugues Charbonneau in Montreal.

Presented in conjunction with #callresponse Maria's second iteration of Post Performance / Conversation Action, with Special Guest Alanis Obomsawin, at L'UQAM Galery MontrealJune 5th, 2016 is presented by OFFTA as part of Indigenous Contemporar…

Presented in conjunction with #callresponse Maria's second iteration of Post Performance / Conversation Action, with Special Guest Alanis Obomsawin, at L'UQAM Galery MontrealJune 5th, 2016 is presented by OFFTA as part of Indigenous Contemporary Scene (ICS), a programming produced by ONISHKA. http://offta.com/en/2016-edition/program/ Photo credit: Henry Chan

#callresponse project details:

 

Strategically centering Indigenous women as vital presences across multiple platforms, #callresponse is a multifaceted project which includes a website, social media platform, touring exhibition and catalogue. The project brings together five local art commissions by Indigenous women artists from across Canada, including Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory. Each artist has invited a guest to respond to their work, including Isaac Murdoch, IV Castellanos and Esther Neff, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

#callresponse is co-organized by Tarah Hogue, Maria Hupfield and Tania Willard, and produced in partnership with grunt gallery and generously supported by the {Re}conciliation initiative of the Canada Council for the Arts, the J.W. McConnell Family Foundation and The Circle on Philanthropy and Aboriginal Peoples in Canada. Additional presentation partners include BUSH Gallery, Emily Carr University of Art + Design, FADO Performance Art Centre, Kamloops Art Gallery, OFFTA live art festival, the National Arts Centre, and the Native Education College.